Rooted in drawing as a method of gathering impressions, I work across painting, drawing, murals, and soft sculpture to construct dream-like environments where intimate states emerge. Abstraction allows me to suggest rather than define—forms and structures remain mutable, shifting between figure and architecture, between shelter and absence.

I am particularly drawn to the quiet, felt qualities of spaces: corners, thresholds, the atmospheres of rooms once inhabited. These become metaphors for human interactions with the self and others, a dialogue between inner and outer, using the body’s senses and receptors as a window. Through layered oil painting, textile collage, and papier mâché, I build works that accumulate slowly, echoing how memory sediments over time.

My work often dwells in ambiguity—spaces of grief, reflection, tenderness, and transformation—holding questions of how memory lives in the body, how affect can be transmitted materially, and how the relationship between time and space might be visualised. I’m interested in how abstraction and touch, through analog materials, can act as quiet technologies of care, opening space for reflection, slowness, and sustainable forms of coexistence.